Hélio Oiticica (1937–1980) altered the Brazilian art scene, and his works broke with accepted conventions. His oeuvre was of great importance to the breakthrough of Tropicália, the cultural movement that protested the repressions of the military regime. Experiment, proposition, participation and environment are the key words that place Oiticica’s art firmly in the 1960s and 1970s. Coming from pain...
Paperback: 336 pages
Publisher: Hatje Cantz; Bilingual edition (February 28, 2014)
Product Dimensions: 7.6 x 1 x 9.9 inches
Amazon Rank: 1114980
Format: PDF ePub fb2 TXT fb2 book
Second, he discusses the forms, mechanics, and vocabularies of prayer. Sin is being hit on by someone she is not interested in and being a little neurotic, the man cannot take the hint. book Hélio Oiticica: The Great Labyrinth Pdf
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veloped into one of the protagonists of a new concept of art: he actively involved the viewer in the presentations of his multimedia works, while the works--colorful, accessible, tangible, or wearable like a piece of clothing--filled the space. This participatory kind of eventful art is related to the democratization of the concept of art, as conceived by Joseph Beuys. Oiticica’s writings and records, collected in this in publication, comprise a fascinating document of the transition from modern to contemporary art. "Seja marginal, seja herói." ("Be marginal, be a hero.") --Hélio Oiticica